J. Storer or J. Greig. From Prints of Oxford University. Oxford: Cook & Parker, and London: Longmans, Hurst Rees & Orme, 1810. Chine appliqué. c. 7 x 5. Very good condition. Each: $45.
Prints by R. Ackermann. From A History of The University of Oxford, its Colleges, Halls, and Public Buildings. London: R. Ackermann, 1814. Aquatints. All ca. 8 x 10, except as noted. Original hand-color. Full margins. Excellent condition.
After David Loggan's Oxonia, Ackermann's History of Oxford is the best known of works on that great university. The plates from this volume are justly known as perhaps the aesthetically finest views of the city and its colleges, halls, etc.. Their interesting compositions, many showing students, travelers, dons, and so on, are finely depicted with the excellent engraving and vivid, rich color for which these prints are known. Also included are a series of detailed images of various academic costumes.
"Eastern or London Entrance into Oxford. Ca. 1830. Engraving. 3 x 5 1/2. Very good condition.
A charming engraving shows Magdalen College Bridge, the eastern entrance into Oxford along the High. $50
I. Whesfell. "Magdalene College." Oxford: I. Whesfell and T. Bartlett, 1832. Steel engraving. 9 x 5 1/4 (Plate marks). Very good condition. $60
William Tombleson. "Oxford." Steel engraving by William Lacey. London: Tombleson & Co., . 7 x 9 (plate mark). Very good condition.
A prospect of the city across Port Meadow, with an intricately engraved decorative border featuring the arms of the colleges, etc. Originally published with the part-work series "Tombleson's Views of the Thames and Medway" (London 1833-1834). $85
Prints by F. Mackenzie. From James Ingram's Memorials of Oxford. Oxford: J.H. Parker, 1835. Engravings by John Le Keux. Ca. 3 1/2 x 5 3/4. Very good condition.
A accurate and finely engraved set of views of Oxford. Colleges, gardens, and churches around the town are depicted with great precision and a fine artistic sensibility. These charming images offer a wonderful view of Oxford and its colleges in the first half of the nineteenth century.
Prints by William Alfred Delamotte. From Views of the Colleges Chapels & Gardens of Oxford. London: Thomas Boys, 1842. Lithographs drawn by W. Gauci. Printed by Lefevre. All prints approximately 13 3/4 x 9 3/4 (vertical and horizontal images). Tinted lithographs. Full margins, though some with wear. Overall, fine condition. Ref: Tooley, English Books with Coloured Plates. 1790-1860. #180.
A rare and lovely set of lithographs of Oxford issued in 1842 by Thomas Boys, famous for his similar series of images of London. These large, two-tone lithographs offer a detailed and quite comprehensive image of the colleges, chapels and gardens of the University around the middle of the nineteenth century. The buildings are shown with faithful detail, softly portrayed with a fine hand. Of particular interest are the animated scenes of students, pedestrians, children and animals shown in each image. These lively settings convey a feel for the town which goes well beyond our admiration of its impressive architecture, giving us a privileged look at Oxford of a century and a half ago.
A richly etched view of Oxford, featuring All Souls' College, Radcliffe Camera, St. Mary's Church and Brasenose College.
Walter William Burgess, one of the best known landscape and architectural etchers of the late nineteenth century was born in Southampton and later lived and worked in Chelsea (London). He specialized in views of London and English Cathedrals, and his works were exhibited at the Royal Academy of Painters, Etchers and Engravers, established by two of the most noted artists and proponents of the Etching Revivalist Movement -- Axel Haig and Francis Seymour Haden. Burgess' works were compiled into three large volumes -- "Inns of Court," "Other London Views," and simply, "Others." He continued to work until his death in 1908, and is remembered today as an important artisan of the Etching Revivalist period. $525
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