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Prints of Philadelphia

1876 Centennial Exhibition


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As America began to recover from the Civil War, the nation's thoughts turned to its coming Centennial celebration. Though the United States is now one of the most stable countries in the world, in the early days of the nation it was not a clear cut thing that the country would survive as a viable political entity, an uncertainty brought back full-force by the recent conflict that almost tore the United States in half. The nation did survive and as it approached its 100 year anniversary, it was entering a period of great expansion geographically and economically. The people of the United States looked forward with great pride, then, to the planned national Centennial Exhibition to be held in Philadelphia in 1876. This Exhibition was a celebration both of the nation's past and its potential for the future.

The enthusiasm for the Centennial led to a great demand for images of the country's history and of the Exhibition itself, a demand met by prints publishers with engravings and lithographs showing scenes from the past and images of the planned exhibition sites and buildings. Below is a selection of the fews of the Exhibition.


Bird's Eye Views

Among the most popular prints made of the Centennial Exhibition were the bird's eye views showing the layout of the exhibition grounds. These made great take home souvenirs and today they provide us with a sense of the scope and excitement of this grand American celebration.

Bird's eye view
"Bird's Eye View, Centennial Buildings. 1876. Fairmount Park. Philadelphia." Philadelphia: H.J. Toudy & Co., 1875. 14 1/2 x 23. Tinted lithograph. Deák: 845; Prints of Philadelphia: 227.

This is one of the more impressive of the views done, showing the entire Centennial grounds from an elevated position over the Schuylkill River. The broad boulevards, fountains and bridges are shown, and the impressive main buildings are depicted with fine detail and identified by a key under the image. This edition of the print was issued prior to the opening of the Exhibition; the renderings of the buildings are taken from architectural plans and the layout from early plans. $725



A Pair of prints by the National Publishing Co. Philadelphia, 1876. Lithographs. Very good condition.

In 1876, the National Publishing Company issued The Illustrated History of the Centennial Exhibition. This work was written by James D. McCabe, and it included a history of the Exhibition and descriptions of all the buildings and exhibits. As a promotion for the volume, the National Publishing Company issued a bird's eye view of the Centennial grounds, with the grounds and buildings drawn from architectural plans. There were two editions of this print, which are almost identical, though printed from separate stones. The first was produced before the nature and location of smaller exhibition pavilions were known, so only the main buildings are depicted. In the second, images of some of the smaller buildings were included. The scene for both was drawn from a perspective on Belmont plateau.



Syndey Smirke. "Bird's Eye View. International Exhibition. 1876. Fairmount Park, Philadelphia." Philadelphia: Sydney Smirke, 1876. 12 x 20 1/2. Photo-lithograph by Julius Bien. With centerfold as issued. Very good condition.

This print is stated a having been "Projected by Sydney Smirke, from drawings of the architects & engineers of the U.S. Commission." It shows most of the main buildings and structures, but none of the smaller state pavilions, about which Smirke had no information. The view looks over the fairground from the west, with the Schuylkill River shown in the background. To add realism to the image, Smirke adds throngs of visitors on all the boulevards and even some boats and racing shells on the river. $450



Main Buildings

Machinery HallSpacerAgricultural Hall

Prints by Louis Aubrun. Philadelphia: Centennial Board of Finance, 1874. Published by Thomas Hunter. Tinted lithographs. Ca. 14 x 22 1/2. Some light surface blemishes, but overall very good condition, except as noted.

Large tinted lithographic views of the main buildings for the Centennial International Exhibition were commissioned in 1874 by the Centennial Board of Finance in order to publicize the forthcoming fair, and to raise the money for this ambitious project. The prints were designed to show the impressive main buildings of the exhibition in all their architectural splendor, their huge size highlighted by the milling crowds shown about. The prints were issued and sold separately as souvenirs of what was to become America's first great tourist attraction.



Centennial Exhibition
"1776, Centennial International Exhibition, 1876." New York: H. Schile, 1875. Lithograph. 19 x 25 1/2. Very good condition. This is a nice example of one of the most attractive and interesting of the views of the buildings of the Centennial. New York publisher H. Schile's lithograph combines the various threads of meaning inherent in the Centennial. The center panel of the print shows the proposed main exhibition building in Fairmount Park, flags flying, surrounded by hordes of visitors, and even graced by a ethereal hot air balloon floating above. Above this image in the center is a symbolic figure representing America, holding the flag and flanked by the American eagle, as well as symbols of mechanics and agriculture. Around the center image are panels showing important scenes from American history, including episodes from the Revolution, the War of 1812, the Mexican-American War and the Civil War. Also shown are vignette scenes of Independence Hall and the exhibition's art gallery (present-day Memorial Hall). This print encapsulates, then, the meaning of the Centennial to Americans in 1875-76. Its pleasing appearance, scarcity, and historic interest makes it one of the most desirable of all Centennial prints. $900



Horticultural Hall
"Horticultural Hall. International Exhibition, 1876." Philadelphia: G. Meyer, 1875. Photolith by Julius Bien. 12 1/4 x 20 7/8. With repaired tears and considerable surface smudging. Fair condition.

An unusual example of a broarside print showing Horticultural Hall. This print was copyrighted by Schwartmann and Pohl, Philadelphia architects, and published by G. Meyer. The print was made by Julius Bien, best known for his chromolithographs after J.J. Audubon. Though with condition problems, this still is an interesting and attractive image of the Horticultural Hall. $350



Advertising prints

The publicity generated by the Centennial Exhibition created advertising opportunities for local and national business. One form of advertising was for the name of a business to be printed on a print of the exhibition, which could then be given to clients. These are interesting both as images of the Centennial and as American advertising.

Main Building
Louis Aubrun. "Main Building, International Exhibition. 1876. Fairmount Park, Philadelphia. Philadelphia: Centennial Board of Finance, 1874. Published by Thomas Hunter. Tinted lithograph. Ca. 14 x 22 1/2. Two short, repaired tears at sides. Otherwise, excellent condition. Cf. Prints of Philadelphia: 230.

An advertising version of the Aubrun/Hunter view of the Main Building. This temporary structure was the largest building in the world when built, covering over 20 acres. It was located just in front of the Art Gallery, near the main entrance, and it housed the exhibits of the many nations that were participating in the Centennial. This print has been modified to advertise for Newburger & Hochstadters, wholesale clothiers, 527 Market & 524 Commerce Street. $850



Main BuildingSpacerHorticultural Hall

Set of five Centennial advertising cards. Philadelphia: L.F. Citti, 1875. Cards 3 x 4 1/2. Chromolithographs. Excellent condition. Advertising cards were small images, imprinted in a business's information, that were very popular as collectibles in the second half of the nineteenth century; and they remain so today. This set of five cards were issued for Samuel C. Eastburn & Co. (S.W. Cor. 8th & Arch), purveyors of "Silks, Black Goods, Shawls, Linens, Muslins." The images show the five main halls of the Exhibition: Main, Machinery, Agricultural, Memorial, and Horticultural. For the set, $250



Souvenirs

The Centennial Exhibition was one of the greatest tourist attractions of the era, with visitors not just from across the United States, but also from all around the world. With all the tourists and world-wide interest in the exhibition, there were many souvenirs issued.

"Memorial Hall Art Gallery. 1776. Centennial. 1876." Philadelphia, 1876. Cotton bandanna, printed in blue and brown. 19 3/4 x 22 1/2. Somewhat faded. Otherwise, very good condition. Collins, Threads of History: 429.

Souvenir images of the Centennial appeared in many other forms besides prints. These souvenirs ranged from poorly made items to those of considerable quality and beauty. One type of the latter were cotton bandannas upon which were printed views of Exhibition buildings. These colorful kerchiefs were purchased by fair-goers both for practical use and for decorative purposes. As with many types of ephemeral souvenirs, few of these linens have survived. This attractive kerchief depicts the Art Gallery. The image is topped by an eagle with the United States shield and surrounded by a striped border with stars. $375



Centennial Bandanna
"International Exhibition. 1876. Philadelphia." Philadelphia, 1876. Cotton bandanna, printed in purple. 21 3/4 x 26. Some light stains and wear in margins Overall, very good condition.

A more elaborate bandanna, this shows images of three of the main exhibitions halls; Main Building, Horticultural Building, and the Art Gallery. Rondels grace the corners, with a portrait of Washington in the top left, Grant in the top right, and shields in the bottom corners. $450



Horticultural HallSpacerArt Gallery

Prints from Thompson Wescott's Centennial Portfolio. Philadelphia: Thomas Hunter, 1876. 4 1/2 x 8 1/2. Tinted lithographs. Some smudging in margins. Very good condition, except as noted.

From a group of images of the 1876 Centennial Exhibition in Philadelphia. Only two of the buildings are still standing from the exhibition, which celebrated the American centennial. This exhibition was one of the greatest tourist attractions of the era, with visitors not just from across the United States, but also from all around the world. With all the tourists and world-wide interest in the exhibition, there were many souvenirs issued. One of the most detailed and best produced was Thompson Westcott's Centennial Portfolio. This deluxe volume included charming lithographs with decorative borders of all the buildings in the exhibition.

Main Buildings

State Buildings

Industry Buildings

Foreign Buildings

Other

GoGo to description of complete Centennial Portfolio for sale



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Philadelphia's 1876 Centennial Images of America: PHILADELPHIA'S 1876 CENTENNIAL EXHIBITION.
Linda P. Gross and Theresa R. Snyder. Charleston, SC, 2005. Paper.

Views of the history, buildings and exhibits on display at the celebration of the United States' Centennial in 1876, held in Fairmount Park, Philadelphia. $19.99



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©The Philadelphia Print Shop, Ltd. Last updated October 15, 2009