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Etchings by D.Y. Cameron
Sir David Young Cameron (1865-1945) was a British master of landscape and architectural views. He was trained at the Edinburgh School of Art, became an Associate Engraver at the Royal Academy in London in 1911, where he was elected to the position of Academician in 1920. His landscapes and architectural views, though often devoid of human figures, have a very human feel; the influence and presence of humans is always evident. He was greatly influenced by the somber beauty of his native Scotland, and his prints have a rich, dark tone that reflects this. His more famous works include views of British architecture and interior cathedral views, while his gargoyle etchings pay homage to the great French etcher Charles Meryon. Cameron spent his time traveling throughout the countryside in search of romantic subject matter, and he completed five hundred plates between 1892-1909.
The following prints are all etchings. Numbers preceded by "R" refer to the prints listed in Frank Rinder's book D. Y. Cameron, An Illustrated Catalogue of Etchings and Drypoints, 1887-1932, 1932. All are signed in pencil, unless otherwise noted.
- "The Old Revenge." (large plate). 1889. 10 7/8 x 16 1/4. State II. Ed:100. R50. $425
- “White Horse Close, Edinburgh.” 1891. 4 1/14 x 7 1/8. R86. $350
- “St. Enoch’s Square, No. 22, Glasgow.” 1891. 4 7/8 x 7. One state only. R105. Slight matburn. $100
- "The Broomielaw." 1892. 7 x 13 3/8. One state only. R112. $500
- "Pershire: Interior." 1893. 7 x 10. One state only. R175. $350

- "The Chapel and Founder's Tomb, Charterhouse." 1894-1910. 5 1/4 x 3 3/8. State II.
R240. Unsigned. $125

- "Upper Green, Charterhouse." 1894-1910. 3 3/4 x 5 3/8. State II. R241. Unsigned. $125
- "Charterhouse Schools, Godalming." 1894. 5 1/2 x 3 1/2. State II. R242. $125

- "The Towers of Charterhouse, Godalming." 1910. 6 1/2 x 4 1/2. State II. Unsigned.
R 243. $125
- "Robert Louis Stevenson." 1895. 6 1/4 x 3 1/4. One state only. R265. Unsigned. $225
- "Fancy Costume Ball." 1896. 6 1/2 x 4 3/8. One state only. R267. Unsigned. $225
- "T & R Annan & Sons." 1895. 3 3/8 x 7 3/8. One state only. R270. Unsigned. $175
- "Custom House." 1899. 6 7/8 x 10 3/8. State III. R289. $350
- "The Horse Guards." 1899. 4 5/8 x 5. State III. R292. $200

- "The Admiralty." 1899. 8 x 5 3/8. One state only. R293. $225
- "The Rialto (Venice)." 1900. 12 x 8 5/8. State II. R305. $600
- "Angers Rue Des Filles Dieu." 1902. 7 3/4 x 4 7/8. One state only. R329. $275

- "On the Bradford." 1902. 4 x 5. One state only. Unsigned. R347. Unsigned. $125
- "Amboise." 1903. 10 1/4 x 6. State II. R352. $350
- “Place Plumereau Tours.” 1903. 8 5/8 x 7 1/4. State III. $325

- "The North Porch, Harfleur." 1904. 14 3/4 x 7 3/8. State IIA. R360. $350
- “John Knox’s House.” 1905. 8 5/8 x 6 1/2. State II. R368. $300
- "Old Saumur." 1905. 11 13/16 x 9 13/32. State IV. R371. $250
- “The Canongate Tollbooth.” [Edinburgh]. 1906. 12 1/2 x 5 3/8. R378. State II. $400
- “Damme.” 1907. 10 1/4 x 7 3/8. R391. State II. $325
- "The Mosque Doorway." (Cairo) 1910. 16 13/32 X 8. State I. R413. $300
- "Yvon." 1911. 10 1/2 x 5. State III. R425. $150
- "St. Aignan, Chartres." 1916. 9 1/2 x 4 3/8. State IV. R463. $300
- “Maut.” 1917. 7 7/8 x 6 1/2. R465. State II. $375
Book Plates: All unsigned.
- "J. Craig Annan." 1892. 3 5/8 x 2 1/8. One state only. R165. Margins trimmed. $125
- "John A. Downie." 1895. 3 1/2 x 2 3/8. R255. Margins trimmed. $125
- "R. Y. Pickering." No. 1. 1895. 4 3/4 x 3 3/8. State II. R256. Margins trimmed. $125
- "R. Y. Pickering." No. 2. 1895. 2 7/8 x 2 5/16. R257. Margins trimmed. $125
- "Robert M. Mann." 1895. 5 3/4 x 3 1/4. An earlier state of this plate is thought to exist.
R259. Margins trimmed. $125
- "John S. Roberton." 1897. 4 x 2 3/4. R261. Margins trimmed. $125
- "James Robertson Cameron." 1898. 4 3/4 x 3 1/4. R315. Slight printer's wrinkle, upper left. Margins trimmed. $100
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©The Philadelphia Print Shop, Ltd. Last updated November 10, 2008